Form, Function and Culture

In Pattern Making, there are three basic types of sleeves; set-in, raglan and kimono. All other sleeve styles are developed from one of these three blocks.

However, in this era of globalization, it no longer feels correct to refer to a style as a “kimono sleeve”. What then, is an appropriate name for a bodice where the sleeve is integrated into the design instead of a separate piece? “T-shape? Extended sleeve? Robe?

I have been giving a lot of thought to the intersection of cultural appropriation, pattern making and fashion.  Currently, I am working on a new pattern, one that is loose fitting and has a kimono-style sleeve.  But I am at a loss of how to describe it. This simple shape, once cut and constructed, no longer looks like the rectangle that is was essentially developed from. The straight grain of the fabric will run up and down the body, and the cross grain across the shoulders. Different than batwing, not dolman, not tunic.

A respectful interpretation of the world’s cultures can allow all cultures to mutually enrich themselves and bring about genuine benefits to society.  A diversity of cultural influences is what makes fashion, like art and music evolve and thrive.  Additionally, as a sewing and fashion educator, I have a classroom of kids that come from all manner of background and identity.  They look to me to guide them and to set an example.  To foster a truly global society, it is imperative to teach inclusivity, appreciation and respect.  If these students leave my class, and future fashion studies unversed, then we as educators are part of the problem.

 Traditional clothing is not simply functional or ornamental.  It is infused with meaning and is woven into the very identity of a people, geographic area or a period in history. That is why designing clothing without consideration for the underlying cultural significance can lead to ignorance of the history of entire communities  For a much more eloquent and thoughtful explanation, read this post, My Kimono is Not Your Couture, by Emi Oto.

So what is appropriate and respectful?  Is it enough to describe the top as having a “kimono sleeve”, but then include a sentence that invites conversation and states that that is the technical name of the sleeve type?  Could it be described as having a kimono style influence- even though it bears little resemblance to an actual kimono? If we go forward and “ignore” traditional influences, we lose the opportunity to learn and appreciate.  The preservation of culture and cultural diversity gives voice to each and every person in this global community and can affect real and lasting change.

 With that sentiment, I am asking you, my readers and friends, to please share your thoughts with me. How do you recognize and appreciate global fashion while still being intentional and sensitive? What do you make of “technical” terms that have no clear replacement? I do look forward to your comments.